welshmusic-cerddoriaethcymraeg

welshmusic-cerddoriaethcymraeg:

Mae sengl newydd Kizzy Crawford (Brown Euraidd) allan heddiw! Chwip o gan! Mae Kizzy wedi recordio dau fersiwn - un yn y Gymraeg ac un yn y Saesneg. Ar gael…nawr! Medi y 1af hapus iawn i bawb! x

Kizzy Crawford’s brand new single (Golden Brown) is out today! Brilliant track! Kizzy’s recorded two versions of the song - one in English and one in Welsh. Available to buy…now! Happy 1st of September everyone! x

strawberries-in-december

In the post-World War II era, the Klan experienced a huge resurgence. Its membership was skyrocketing, and its political influence was increasing, so Kennedy went undercover to infiltrate the group. By regularly attending meetings, he became privy to the organization’s secrets. But when he took the information to local authorities, they had little interest in using it. The Klan had become so powerful and intimidating that police were hesitant to build a case against them.

Struggling to make use of his findings, Kennedy approached the writers of the Superman radio serial. It was perfect timing. With the war over and the Nazis no longer a threat, the producers were looking for a new villain for Superman to fight. The KKK was a great fit for the role.

In a 16-episode series titled “Clan of the Fiery Cross,” the writers pitted the Man of Steel against the men in white hoods. As the storyline progressed, the shows exposed many of the KKK’s most guarded secrets. By revealing everything from code words to rituals, the program completely stripped the Klan of its mystique. Within two weeks of the broadcast, KKK recruitment was down to zero. And by 1948, people were showing up to Klan rallies just to mock them.

How Superman Defeated the Ku Klux Klan | Mental Floss (via sarkos)

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I ain’t the world’s best writer nor the world’s best speller
But when I believe in something I’m the loudest yeller

“Stetson Kennedy,” Woody Guthrie

(via wolfpangs)

If Woody Guthrie wrote a song about your merits, you freaking HAD them.

(via delcat)

Stetson Kennedy: American Badass.

(via underscorex)

I know it’s the wrong superhero/comic book publisher, but this is extremely important.

(via historicallyaccuratesteve)

lunarflares

The Emperor’s New Clothes (The Myth of Moffat’s Scriptwriting ‘Genius’) by Claudia Boleyn

claudiaboleyn:

Today I read an article about Steven Moffat’s Doctor Who in the Arts and Books section of the Independent on Sunday. In this article, by Stephen Kelly, Moffat is criticised for his inability to write women, to complete his plots, to write the Doctor as a likeable and trustworthy figure, and to keep his audience entertained. Yet one line in this frankly scathing (and almost painfully truthful) review reads: ‘When on form, Steven Moffat is the best writer working in television today’.

Having read said article, and written rather a lot of Moffat critique myself, the statement baffled me. Kelly’s entire article is lamenting the current state of Doctor Who at the hands of this man, and yet Moffat is still gifted with glowing praise.

It’s a common theme. I see it often when people are asked to review Moffat’s work. It seems people are almost afraid of criticising him, seeing as he has been lauded one of Britain’s most brilliant television writers.

It’s like the Emperor’s New Clothes. The Myth of Moffat’s Scriptwriting ‘Genius’. It’s a lie we’ve all absorbed and now just assume to be true. Sherlock himself would be frankly appalled by the entire thing. We are seeing, but we apparently do not observe.

Fellow Sherlock watchers will know what I mean (although many will probably not agree) when I equate Moffat’s writing to the empty houses of Leinster Gardens. An empty façade. It looks great from the outside, but when you step closer, you realise it’s just a whopping great train station with some drugged up self-proclaimed sociopath lurking in it.

 Let’s examine this case a little closer, shall we?

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